One of the most sumptuous private homes from the early twentieth century in Paris
Moïse de Camondo, a reputed Parisian banker during the Belle Epoque, was a passionate collector of French furniture and art objects from the eighteenth century, ans he amassed a collection of unusual quality. In 1911, he hired architect René Sergent to build a private mansion next to Parc Monceau that would be worthy of this collection and suitable for his family. The design was modeled after that of the Petit Trianon in Versailles, but behind the handsome décor of wood-paneled apartments were hidden the accoutrements of modern life, including kitchens, offices and bathrooms. The home, which is fully preserved in its original condition, offers an opportunity to discover the taste of a great collector and to get a glimpse of the everyday life of an aristocratic home.
An exceptional collection of art objects
Antique woodwork serves as a backdrop to furniture by cabinetmarket and joiners working for the Garde Meuble Royal (Royal Furniture Repository) surch as Oeben, Riesener and Jacob. Gilt bronze Clocks and wall clocks, barometers and chandeliers, mounted vases adorn cabinets and boiseries. Two particularly spectacular masterpieces of tableware: the Orloff silver dinner service commissionned by Catherine II of Russia from the silversmith Roettiers in 1770, and the so-called “Buffon” porcelain services, made at Sèvres in the 1780s and fituring a bird decor. Sculptures and paintings also reflect the collector’s sensibilities, with busts by Houdon, portraits by Elmisabeth Vigée Lebrun, landscapes by Guardi and hunting scenes by Oudry.
A family’s tragic destiny
Comte Moïse de Camondo was born in Istanbul in 1860 into a Sepharadic Jewish family that owned one of the largest banks in the Ottoman Empire, established in France since 1869. Moïse de camondo meant to give his mansion and collection to his son Nissim. But World War I broke out, and Nissim was killed in an air battle iun 1917. After this tragic loss, he decided to bedqueath his property to the “Arts Décoratifs”, in memory of his son. The museum opened the year after Moïse de Camondo died, in 1935. During World War II, his daughter, Béatrice, his son-of-law Léon Reinach and their children, Fanny and Bertrand, died in the nazi camps. The Camondo family died out.